CFP de la Société d’Études Woolfiennes pour sa prochaine journée doctorale – propositions à envoyer avant le 20 mai 2019.
Catégorie : Ressources
Appel à contributions – Revue Quaderni Proustiani
Le numéro 14 de la revue italienne Quaderni Proustiani sera dédié à Marcel Proust et Virginia Woolf. L’appel à contributions … Plus
Hannah Sullivan – « The virtues of redrafting »
Published in 2013, this study of revision and redrafting focuses on Modernism and modernist writers, including Woolf.
Université d’Aix-Marseille — 6-8 June 2019
The Société d’Études Modernistes and the Société d’Études Woolfiennes will be organising a workshop at the next SAES Conference on the theme of « exceptionalism ». Proposals are to be sent by November 16th, 2018.
Lettres et extraits de journal inédits, traduit par Micha Venaille
Vient de paraître : Virginia Woolf, Quel soulagement : se dire “j’ai terminé”, traduit et préfacé par Micha Venaille, Paris … Plus
Barbara Lounsberry – Virginia Woolf, the War Without, the War Within: Her Final Diaries & the Diaries She Read
Barbara Lounsberry’s conclusion to her three-volume study of Woolf’s diaries and the diaries she read is now available. This final volume follows Woolf’s 13 final diaries dating from 1929 to 1941.
Rachel Bowlby – « The uses and history of critical reading »
« When something called theory first broke onto the seemingly stagnant scene of literary studies, it offered bright new ways and … Plus
Christine Reynier – A study of Woolf’s ‘little articles’
Drawing on ‘literary theory, intermedial studies, periodical studies and philosophy’, C. Reynier offers a book-length study of the six commissioned articles Woolf published in Good Housekeeping magazine.
Université de Lorraine – Colloque international (juin 2019)
CFP pour le colloque international « Woolf recyclée / Recycling Woolf » – propositions à envoyer avant le 30 novembre 2018.
Adèle Cassigneul – Une étude du rapport entre le texte Woolfien, la photographie et le cinéma
Prix Présence de la langue française 2015, parution de l’ouvrage d’A. Cassigneul sur l’écriture « photo-cinématographique » de Woolf.
Abstracts are invited for a proposed collection of essays
Though Woolf’s atheism and criticism of religion are well-known, this volume seeks an interdisciplinary approach to the spiritual quality of her work.
Danish author Christina Hesselholdt’s novel translated into English
‘[A]n affecting homage to, and a high-spirited literary dissection of, Woolf’s book [The Waves] …’ (Catherine Taylor, Financial Times)
Université Paris Ouest Nanterre – 7-9 June 2018
This SAES workshop aims to continue the ongoing rethinking of modernism’s forms, conditions, and “posture[s]” of revolution. By avoiding the essentialisation of rupture and envisioning cultural change, in the wake of Fredric Jameson, “beyond the opposition between synchrony and diachrony,” we propose to pluralise our approaches to revolutionary modernisms, and thus to understand such performances of modernity by building on the radically multiple semantics of the notion per se, such as theorised by Reinhart Koselleck. Koselleck’s insight into revolution as a globally extendable marker of modernity is particularly significant for this purpose: “The word ‘revolution’ possesses such revolutionary power that it is constantly extending itself to include every last element on our globe.”
Études Britanniques Contemporaines n°53 – sous la direction d’Adèle Cassigneul
Les articles faisant suite au colloque SEW « Becoming Photographic », organisé par Adèle Cassigneul en collaboration avec Christine Reynier, sont disponibles dans le nouveau numéro Ebc.
Edited by Claire Davison & Anne-Marie Smith-Di Biasio
The essays in the present volume seek to explore new perspectives on Woolf’s work: thinking Woolf through other languages (French, Italian, Spanish) and other media (music, early photography, cartoon-strip) they address questions of translational ethics, the intra-scriptural, the trans-medial, the transference, transmission, transfixation and transgression.