{"id":1941,"date":"2017-10-02T09:58:48","date_gmt":"2017-10-02T07:58:48","guid":{"rendered":"http:\/\/etudes-woolfiennes.org\/?p=1941"},"modified":"2017-12-29T16:39:46","modified_gmt":"2017-12-29T14:39:46","slug":"la-promenade-au-phare-etude-choregraphique","status":"publish","type":"post","link":"https:\/\/etudes-woolfiennes.org\/?p=1941","title":{"rendered":"H\u00e9l\u00e8ne Duval \u00e0 Bordeaux Montaigne: Transmettre, appr\u00e9cier, cr\u00e9er"},"content":{"rendered":"
<\/div>\n
\n

Quelles formes, quelles dynamiques d\u2019expression et de cr\u00e9ation entrent en jeu dans les mouvements conscients ou inconscients, chaotiques ou chor\u00e9graphi\u00e9s, du corps humain ? Un travail sur le regard, le geste et le mouvement peut-il contribuer \u00e0 la compr\u00e9hension d\u2019une \u0153uvre litt\u00e9raire, en l\u2019occurrence, La Promenade au Phare <\/em>de Virginia Woolf (1927)\u00a0?<\/p>\n

\"\"<\/a>Le travail engag\u00e9 sur les trois parties (The Window, Time Passes, The Lighthouse) et les trois personnages centraux (Mrs Ramsay, Mr Ramsay, Lily Briscoe) du roman de Virginia Woolf, To the Lighthouse<\/em> (1927), fournit l\u2019occasion de s\u2019interroger sur la\u00a0\u00ab\u00a0signature motrice\u00a0\u00bb des \u00eatres, sur le rapport entre personnalit\u00e9 et mouvement, ainsi que sur l\u2019expression kin\u00e9sique des choses\u00a0: vague g\u00e9ante, phare, temps \u00e9tir\u00e9, pinceau \u00e9gar\u00e9, toile impossible \u00e0 terminer. La plasticit\u00e9 symbolique, le potentiel cr\u00e9atif et la dynamique du corps humain sont graduellement r\u00e9v\u00e9l\u00e9s au cours de trois ateliers.<\/p>\n

H\u00e9l\u00e8ne Duval est professeure au D\u00e9partement danse de l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (UQAM) depuis 2005. Elle est sp\u00e9cialiste des pratiques p\u00e9dagogiques en danse. Mars 2017. H\u00e9l\u00e8ne Duval est officiellement invit\u00e9e par l\u2019Universit\u00e9 Bordeaux Montaigne et par le P\u00f4le Enseignement Sup\u00e9rieur Musique et Danse d\u2019Aquitaine.<\/p>\n

Son travail est retrac\u00e9 dans un film documentaire tourn\u00e9 par notre coll\u00e8gue Jean-R\u00e9mi Lapaire.<\/p>\n

Sur la Web TV de Bordeaux Montaigne :
\nhttp:\/\/webtv.u-bordeaux-montaigne.fr\/sciences\/transmettre-apprecier-creer-helene-duval-a-bordeaux<\/u><\/a>
\nSur France Culture:<\/p>\n

https:\/\/www.franceculture.fr\/conferences\/universite-bordeaux-montaigne\/transmettre-apprecier-creer-helene-duval-bordeaux<\/u><\/a><\/p>\n

\n

A lire dans MIRANDA: Jean-R\u00e9mi Lapaire and H\u00e9l\u00e8ne Duval, \u00ab\u00a0To the Lighthouse<\/em> (1927): a choreographic re-elaboration, ,\u00a0Miranda<\/em> [En ligne], 15 | 2017.
\nURL :\u00a0http:\/\/miranda.revues.org\/10898<\/u><\/a>
\nDOI : 10.4000\/miranda.10898<\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Un travail sur le regard, le geste et le mouvement peut-il contribuer \u00e0 la compr\u00e9hension d\u2019une \u0153uvre litt\u00e9raire, en l\u2019occurrence, \u00ab\u00a0La promenade au phare\u00a0\u00bb de Virginia Woolf (1927) ?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-1941","post","type-post","status-publish","format-standard","hentry","category-woolf-autrement"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/1941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1941"}],"version-history":[{"count":13,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/1941\/revisions"}],"predecessor-version":[{"id":2657,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/1941\/revisions\/2657"}],"wp:attachment":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}