{"id":3141,"date":"2019-10-29T14:34:58","date_gmt":"2019-10-29T12:34:58","guid":{"rendered":"http:\/\/etudes-woolfiennes.org\/?p=3141"},"modified":"2019-10-29T14:35:21","modified_gmt":"2019-10-29T12:35:21","slug":"jean-remi-lapaire-re-reading-the-waves-with-acting-and-dance-composition-techniques","status":"publish","type":"post","link":"https:\/\/etudes-woolfiennes.org\/?p=3141","title":{"rendered":"Jean-R\u00e9mi Lapaire \u2014 Re-reading The Waves with acting and dance-composition techniques"},"content":{"rendered":"\n<p style=\"text-align:center\">L&rsquo;article de Jean-R\u00e9mi Lapaire, &lsquo;Breaking Virginia&rsquo;s <em>Waves<\/em> (1931): from page to stage&rsquo; vient de para\u00eetre dans la revue Miranda 19 (2019) et est consultable en int\u00e9gralit\u00e9 en ligne \u00e0 ce lien : <br><a href=\"https:\/\/journals.openedition.org\/miranda\/22797\"><u>https:\/\/journals.openedition.org\/miranda\/22797<\/u><\/a><br><br>\u00ab\u00a0<em>Dance space<\/em> and <em>theatre space<\/em> can be used as <em>critical thinking spaces<\/em> in the language and literature class, with substantial gains in student  motivation and engagement. This claim was put to the test with a group of 38 graduate students who co-designed a stage adaptation of Virginia Woolf\u2019s experimental novel <em>The Waves<\/em> (1931) using acting and dance-composition techniques. [&#8230;] As this happened, students found themselves cast in the role of <em>moving and speaking cognizers<\/em>, staging bodily displays of meaning, and reframing Woolf\u2019s written narrative as a series of \u201cacts\u201d and \u201cscenes\u201d to be performed &#8211; not just  read.\u00a0\u00bb<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;article de Jean-R\u00e9mi Lapaire, mettant la sc\u00e8ne et la danse \u00e0 contribution d&rsquo;une relecture des Vagues, est consultable en ligne. <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-3141","post","type-post","status-publish","format-standard","hentry","category-publications"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3141"}],"version-history":[{"count":1,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3141\/revisions"}],"predecessor-version":[{"id":3143,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3141\/revisions\/3143"}],"wp:attachment":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}