{"id":3423,"date":"2021-06-14T08:21:20","date_gmt":"2021-06-14T06:21:20","guid":{"rendered":"http:\/\/etudes-woolfiennes.org\/?p=3423"},"modified":"2024-04-20T18:15:07","modified_gmt":"2024-04-20T16:15:07","slug":"3423","status":"publish","type":"post","link":"https:\/\/etudes-woolfiennes.org\/?p=3423","title":{"rendered":"Conversation Zoom autour du num\u00e9ro d&rsquo;\u00ab Europe \u00bb coordonn\u00e9e par Ad\u00e8le Cassigneul"},"content":{"rendered":"<h3 style=\"text-align: center;\">Conversation Zoom tenue le 20 mai 2021 sur le num\u00e9ro 1101-1102 de la revue <em>Europe<\/em>, coordonn\u00e9 par Ad\u00e8le Cassigneul<\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/videas.fr\/embed\/5dd40e77-6241-420d-80e0-75ad59530bd7\/\" width=\"660\" height=\"415\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Chapitres de la vid\u00e9o<\/strong><br \/>\n(Vous pouvez acc\u00e9der directement \u00e0 chaque chapitre depuis la vid\u00e9o en cliquant sur les trois petites barres en haut \u00e0 droite du lecteur vid\u00e9o. Les boutons de lecture emp\u00eachent l&rsquo;acc\u00e8s \u00e0 certains chapitres, il suffit de les faire d\u00e9filer pour les rendre s\u00e9lectionnables.)<\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">00:00 \u2014 Accueil, Anne-Marie Smith-Di Biasio<\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">02:08 \u2014 Ouverture, Ad\u00e8le Cassigneul<\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">04:09 \u2014 Jean-Baptiste Para, <i>pourquoi vous a-t-il sembl\u00e9 n\u00e9cessaire de publier un num\u00e9ro Virginia Woolf au tournant du XIXe si\u00e8cle\u00a0?<\/i><\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">13:57 \u2014 Ad\u00e8le Cassigneul, <i>pr\u00e9sentation de la conception du num\u00e9ro<\/i><\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">21:28 \u2014 H\u00e9l\u00e8ne Orain, <i>les Monk&rsquo;s House Albums<\/i><\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">27:58 \u2014 Catherine Bernard, <i>pourquoi avoir traduit <\/i>Julia Margaret Cameron \/ <i>l&rsquo;\u00e9criture biographique<\/i><\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">39:58 \u2014 <i>Les modalit\u00e9s du photographique dans l&rsquo;oeuvre de Woolf, <\/i>r\u00e9ponses d&rsquo;Ad\u00e8le Cassigneul, Catherine Bernard, H\u00e9l\u00e8ne Orain<\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">44:11 \u2014 Fr\u00e9d\u00e9ric Regard, <i>La r\u00e9ception du manuscrit d&rsquo;<\/i>Ulysse, <i>1918-1922<\/i><\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">55:13 \u2014 Marie Laniel, &lsquo;<i>I meant to write about death, only life came breaking in as usual.&rsquo;, le genre de l&rsquo;\u00e9l\u00e9gie pastorale<\/i><\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">01:07:48 \u2014 <i>L&rsquo;h\u00e9ritage anglais et les nouveaux arrivants du modernisme<\/i>, r\u00e9ponse de Fr\u00e9d\u00e9ric Regard<\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">01:12:05 \u2014 Olivier Hercend, <em>l<\/em><i>ire et \u00eatre lues, les personnages-lectrices de Woolf<\/i><\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">01:15:30 \u2014 Anne-Marie Smith-Di Biasio, <i>Old Mrs Grey, le natif et l&rsquo;imm\u00e9morial dans le lyrisme po\u00e9tique<\/i><\/p>\n<p lang=\"fr-FR\" style=\"text-align: center;\">01:26:12 \u2014 \u00c9change entre Olivier Hercend et Anne-Marie Smith-Di Biasio<\/p>\n<p style=\"text-align: center;\"><span lang=\"fr-FR\">01:36:12 \u2014 Carine Bratlavsky,<\/span><span lang=\"fr-FR\"><i> traduction de la correspondance de Woolf et sa s\u0153ur<\/i><\/span><\/p>\n<p style=\"text-align: center;\">01:48:19 \u2014 Anne-Marie Smith-Di Biasio, <i>une femme en traduit une autre<\/i><\/p>\n<p style=\"text-align: center;\">01:57:14 \u2014 Ouverture de l&rsquo;\u00e9change avec Fr\u00e9d\u00e9rique Amselle<\/p>\n<p style=\"text-align: center;\">02:00:35 \u2014 Fr\u00e9d\u00e9rique Amselle, <i>la contemporan\u00e9it\u00e9 de Woolf<\/i><\/p>\n<p style=\"text-align: center;\">02:08:42 \u2014 <span lang=\"fr-FR\">\u00c9change entre Fr\u00e9d\u00e9rique Amselle et Anne-Marie Smith-Di Biasio, Carine Bratlavsky, Fran\u00e7oise Wuilmart<\/span><\/p>\n<p style=\"text-align: center;\">02:18:22 \u2014 Anne Besnault, <i>Woolf et Despentes<\/i><\/p>\n<p style=\"text-align: center;\">02:27:23 \u2014 Suzel Meyer, <i>Woolf et Ernaux<\/i><\/p>\n<p style=\"text-align: center;\">02:37:10 \u2014 <i>Woolf, po\u00e9tique et f\u00e9minisme en lien avec d&rsquo;autres \u00e9crivaines, <\/i>conversation ouverte<\/p>\n<p style=\"text-align: center;\">02:53:43 \u2014 Jean-Baptiste Para,<i> conclusion sur le num\u00e9ro<\/i><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conversation Zoom tenue le 20 mai 2021 sur le num\u00e9ro 1101-1102 de la revue Europe, coordonn\u00e9 par Ad\u00e8le Cassigneul &nbsp; \ufeff &nbsp; Chapitres de la vid\u00e9o (Vous pouvez acc\u00e9der directement \u00e0 chaque chapitre depuis la vid\u00e9o en cliquant sur les trois petites barres en haut \u00e0 droite du lecteur vid\u00e9o. Les boutons de lecture emp\u00eachent [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-3423","post","type-post","status-publish","format-standard","hentry","category-evenements-woolf"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3423"}],"version-history":[{"count":7,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3423\/revisions"}],"predecessor-version":[{"id":4120,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3423\/revisions\/4120"}],"wp:attachment":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}