{"id":3429,"date":"2021-06-14T08:34:29","date_gmt":"2021-06-14T06:34:29","guid":{"rendered":"http:\/\/etudes-woolfiennes.org\/?p=3429"},"modified":"2024-04-23T10:22:30","modified_gmt":"2024-04-23T08:22:30","slug":"newsletter-n2","status":"publish","type":"post","link":"https:\/\/etudes-woolfiennes.org\/?p=3429","title":{"rendered":"Newsletter n\u00b02"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"113\" src=\"https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/E\u0301dito-1-1024x113.png\" alt=\"\" class=\"wp-image-3691\" srcset=\"https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/E\u0301dito-1-1024x113.png 1024w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/E\u0301dito-1-300x33.png 300w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/E\u0301dito-1-768x84.png 768w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/E\u0301dito-1-1536x169.png 1536w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/E\u0301dito-1-720x79.png 720w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/E\u0301dito-1-560x62.png 560w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/E\u0301dito-1.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<p>Cher\u2027e\u2027s,<\/p>\n<p>Le printemps touche \u00e0 sa fin et nous vous livrons notre moisson de nouvelles woolfiennes. En ligne ou sur papier, entre culture pop et recherches acad\u00e9miques, la vie et l\u2019\u0153uvre de Virginia Woolf continuent d&rsquo;inspirer et de provoquer \u00e0 penser. Elles semblent m\u00eame incontournables pour vivre et r\u00e9fl\u00e9chir notre monde contemporain.<\/p>\n<p>Ce mois-ci un collectif de chercheuses lance un appel \u00e0 contributions pour un volume \u00e0 para\u00eetre en 2023, intitul\u00e9 <em>World Wide Woolf<\/em>. Toutes les informations sont \u00e0 retrouver sur le <a href=\"https:\/\/etudes-woolfiennes.org\/?p=3418\" target=\"_blank\" rel=\"noopener\" data-cke-saved-href=\" https:\/\/etudes-woolfiennes.org\/?p=3418\"><span class=\"custom-style-link\"><u>site de la SEW<\/u><\/span><\/a>. Et nous mettons en ligne l&rsquo;<a href=\"https:\/\/etudes-woolfiennes.org\/?p=3423\" target=\"_blank\" rel=\"noopener\" data-cke-saved-href=\" https:\/\/etudes-woolfiennes.org\/?p=3423\"><span class=\"custom-style-link\"><u>enregistrement vid\u00e9o<\/u><\/span><\/a> de la rencontre autour de la parution de la revue <em>Europe<\/em>, qui s&rsquo;est tenue en mai dernier.<\/p>\n<p>Par ailleurs, pour celles et ceux qui ne le connaissent pas encore, d\u00e9couvrez le <a href=\"https:\/\/sites.google.com\/view\/woolfsalonproject\/home\" target=\"_blank\" rel=\"noopener\" data-cke-saved-href=\" https:\/\/sites.google.com\/view\/woolfsalonproject\/home\"><span class=\"custom-style-link\"><u>Woolf Salon Project<\/u><\/span><\/a>, qui propose des conversations informelles et collectives autour du continent woolfien. N\u2019h\u00e9sitez pas \u00e0 les contacter pour proposer une s\u00e9ance.<\/p>\n<p>Passez un bon \u00e9t\u00e9 et n&rsquo;oubliez pas de nous faire part de vos d\u00e9couvertes, publications ou activit\u00e9s !<\/p>\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"113\" src=\"https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Les-nouvelles-1024x113.png\" alt=\"\" class=\"wp-image-3668\" srcset=\"https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Les-nouvelles-1024x113.png 1024w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Les-nouvelles-300x33.png 300w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Les-nouvelles-768x84.png 768w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Les-nouvelles-1536x169.png 1536w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Les-nouvelles-720x79.png 720w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Les-nouvelles-560x62.png 560w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Les-nouvelles.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><span style=\"color:#643e31\" class=\"has-inline-color\">Autour de Bloomsbury<\/span><\/h5>\n\n\n\n<p>En mars dernier, <a href=\"https:\/\/www.mansionglobal.com\/articles\/part-of-virginia-woolfs-longtime-london-home-selling-for-3-3-million-225732\" target=\"_blank\" rel=\"noreferrer noopener\"><u>Hogarth House<\/u><\/a>, la demeure Georgienne o\u00f9 les Woolf fond\u00e8rent la Hogarth Press, a \u00e9t\u00e9 mise en vente.<\/p>\n\n\n\n<p>Petite ni\u00e8ce de la grande Louve, <a href=\"http:\/\/camdennewjournal.com\/article\/a-street-of-ones-own\" target=\"_blank\" rel=\"noreferrer noopener\"><u>Emma Woolf<\/u><\/a> m\u00e9dite sur la mani\u00e8re dont sa grand-tante aurait v\u00e9cu les confinements que nous connaissons.<\/p>\n\n\n\n<p>Marion Dell ouvre ses recherches en cours autour de Julia Prinsep Stephen, et publie la biographie de la m\u00e8re de l\u2019\u00e9crivaine sur son site <a href=\"https:\/\/theelusivejuliastephen.com\/?fbclid=IwAR0oB31PaQoXRJ09HPoMKRg5uElNMwd374E_xzpH7C1N3ghLNjn170Stq9U\" target=\"_blank\" rel=\"noreferrer noopener\"><u>The Elusive Julia Stephen<\/u><\/a>.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><span style=\"color:#643e31\" class=\"has-inline-color\">Recr\u00e9ations<\/span><\/h5>\n\n\n\n<p>En r\u00e9action \u00e0 la pand\u00e9mie que nous traversons, l\u2019artiste et typographe norv\u00e9gienne Ane Thon Knutsen a transform\u00e9 <a href=\"https:\/\/cargocollective.com\/anethonknutsen\/On-Being-Ill-A-Covid-19-diary-1\" target=\"_blank\" rel=\"noreferrer noopener\"><u>\u201cOn Being Ill\u201d<\/u><\/a> en un journal du Covid-19. Dans le cadre de son doctorat, elle a \u00e9galement cr\u00e9\u00e9 une installation puis un livre d\u2019artiste \u00e0 partir de <a href=\"https:\/\/cargocollective.com\/anethonknutsen\/The-Mark-on-The-Wall-Artist-Book\" target=\"_blank\" rel=\"noreferrer noopener\"><u>\u201cThe Mark on the Wall\u201d<\/u><\/a>.<\/p>\n\n\n\n<p>Le magazine <a href=\"https:\/\/www.instagram.com\/p\/CNUUkfMp4Nd\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>Vogue Italia<\/u><\/em><\/a> a mis <em>Orlando<\/em> \u00e0 l\u2019honneur sur sa couverture d\u2019avril. On y voit Demi Moore contemplant un volume reli\u00e9 de la biographie et v\u00eatue d\u2019une robe Fendi, elle aussi inspir\u00e9e du chef-d\u2019\u0153uvre woolfien.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><span style=\"color:#643e31\" class=\"has-inline-color\">Voix Woolfiennes<\/span><\/h5>\n\n\n\n<p>La correspondance amoureuse de Vita Sackville-West et Virginia Woolf vient d\u2019\u00eatre publi\u00e9e avec une magnifique introduction d\u2019Alison Bechdel, donc le <a href=\"https:\/\/www.theguardian.com\/books\/2021\/feb\/01\/as-a-body-hers-is-perfection-alison-bechdel-on-the-love-letters-of-virginia-woolf-and-vita-sackville-west\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>Guardian<\/u><\/em><\/a> a publi\u00e9 un extrait.<\/p>\n\n\n\n<p>Le 8 mars dernier, \u00e0 l\u2019occasion de la Journ\u00e9e international des droits des femmes, la plateforme de livres audio Audible a lanc\u00e9 sa <a href=\"https:\/\/www.audible.fr\/pd\/The-Virginia-Woolf-Collection-Livre-Audio\/B08XQY2MWK\" target=\"_blank\" rel=\"noreferrer noopener\"><u>Virginia Woolf Collection<\/u><\/a>, avec <em>Mrs Dalloway<\/em> lu par Kristin Scott Thomas, <em>To the Lighthouse<\/em> par Jessie Buckley, <em>A Room of One\u2019s Own<\/em> par Tilda Swinton et <em>The Waves<\/em> par un ch\u0153ur de six acteurs et actrices.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><span style=\"color:#643e31\" class=\"has-inline-color\">Sur les planches ou sur vos \u00e9crans<\/span><\/h5>\n\n\n\n<p>Le <a href=\"https:\/\/www.geordie.ca\/2021\/03\/25\/virginia-wolf\/\" target=\"_blank\" rel=\"noreferrer noopener\"><u>Geordie Theatre<\/u><\/a> a produit l\u2019adaptation th\u00e9\u00e2trale du livre jeunesse de Kyo Maclear, <a href=\"https:\/\/www.ricochet-jeunes.org\/livres\/virginia-wolf\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>Virginia Wolf<\/u><\/em><\/a>, qui met en sc\u00e8ne l\u2019enfance de Vanessa et Virginia Stephen.<\/p>\n\n\n\n<p>La s\u00e9rie <a href=\"https:\/\/www.bbc.co.uk\/programmes\/p099q26z\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>The Pursuit of Love<\/u><\/em><\/a>, produit par BBC 1, fait plusieurs clins d\u2019\u0153il \u00e0 l\u2019\u0153uvre woolfienne, notamment \u00e0 <em>Orlando<\/em>, <em>Mrs Dalloway<\/em> et <em>A Room of One\u2019s Own<\/em>.<\/p>\n\n\n\n<p>Fran\u00e7ois Busnel a consacr\u00e9 un \u00e9pisode de <a href=\"https:\/\/www.facebook.com\/watch\/?v=518894846145018\" target=\"_blank\" rel=\"noreferrer noopener\"><u>La P\u2019tite Librairie<\/u><\/a> au <em>Journal d\u2019\u00e9crivain<\/em> de Woolf.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"113\" src=\"https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Viennent-de-parai\u0302tre-2-1-1024x113.png\" alt=\"\" class=\"wp-image-3704\" srcset=\"https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Viennent-de-parai\u0302tre-2-1-1024x113.png 1024w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Viennent-de-parai\u0302tre-2-1-300x33.png 300w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Viennent-de-parai\u0302tre-2-1-768x84.png 768w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Viennent-de-parai\u0302tre-2-1-1536x169.png 1536w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Viennent-de-parai\u0302tre-2-1-720x79.png 720w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Viennent-de-parai\u0302tre-2-1-560x62.png 560w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/Viennent-de-parai\u0302tre-2-1.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Elsa H\u00f6gberg (ed.), <a href=\"https:\/\/edinburghuniversitypress.com\/book-modernist-intimacies.html\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>Modernist Intimacies<\/u><\/em><\/a>, EUP, juin 2021<\/p>\n\n\n\n<p>Monica Latham, <a href=\"https:\/\/www.routledge.com\/Virginia-Woolfs-Afterlives-The-Author-as-Character-in-Contemporary-Fiction\/Latham\/p\/book\/9780367550707\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>Virginia Woolf\u2019s Afterlives. The Author as Character in Contemporary Fiction and Drama<\/u><\/em><\/a>, Routledge, mai 2021<\/p>\n\n\n\n<p>Marie All\u00e8gre, <a href=\"https:\/\/v-woolf-society.com\/2021\/05\/19\/marie-allegre-virginia-woolf-beyond-the-phallus\/\" target=\"_blank\" rel=\"noreferrer noopener\"><u>\u00ab\u00a0Virginia Woolf Beyond the Phallus\u00a0\u00bb<\/u><\/a>, International Virginia Woolf Society blog, mai 2021<\/p>\n\n\n\n<p>Mark Hussey, <a href=\"https:\/\/www.bloomsbury.com\/uk\/clive-bell-and-the-making-of-modernism-9781408894439\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>Clive Bell and the Making of Modernism<\/u><\/em><\/a>, Bloomsbury, avr 2021<\/p>\n\n\n\n<p>Henriette Levillain, <a href=\"https:\/\/www.fayard.fr\/litterature-francaise\/virginia-woolf-carte-didentite-9782213717418\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>Virginia Woolf, carte d\u2019identit\u00e9<\/u><\/em><\/a>, Fayard, f\u00e9v 2021<\/p>\n\n\n\n<p>Marie All\u00e8gre, <a href=\"https:\/\/modernistreviewcouk.wordpress.com\/2021\/02\/07\/virginia-woolfs-entanglements-vs-lacanian-psychoanalytic-criticism\/\" target=\"_blank\" rel=\"noreferrer noopener\"><u>\u00ab\u00a0\u2018Virginia Woolf\u2019s entanglements\u2019 vs. Lacanian Psycho-analytic Criticism\u00a0\u00bb<\/u><\/a>, <em>The Modernist Review<\/em>, f\u00e9v 2021<\/p>\n\n\n\n<p>Ad\u00e8le Cassigneul, <a href=\"https:\/\/www.revue-textimage.com\/conferencier\/11_stase\/cassigneul1.html\" target=\"_blank\" rel=\"noreferrer noopener\"><u>\u201cVirginia Woolf, Abbas Kiarostami: extases du moment d\u2019\u00eatre\u201d<\/u><\/a>, Le Conf\u00e9rencier, <em>Revue textimage<\/em>, hiver 2021<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"113\" src=\"https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/A\u0300-venir-2-6-1024x113.png\" alt=\"\" class=\"wp-image-3714\" srcset=\"https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/A\u0300-venir-2-6-1024x113.png 1024w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/A\u0300-venir-2-6-300x33.png 300w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/A\u0300-venir-2-6-768x84.png 768w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/A\u0300-venir-2-6-1536x169.png 1536w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/A\u0300-venir-2-6-720x79.png 720w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/A\u0300-venir-2-6-560x62.png 560w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2022\/07\/A\u0300-venir-2-6.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Mer 16 Juin 2021&nbsp;: <a href=\"https:\/\/rsliterature.org\/rsl-event\/dalloway-day-2021\/\" target=\"_blank\" rel=\"noreferrer noopener\"><u>Digital Dalloway Day<\/u><\/a> organis\u00e9 par la Royal Society of Literature. R\u00e9servation en ligne<\/p>\n\n\n\n<p>Ven 25-Sam 26 Juin 2021 : conf\u00e9rence internationale en ligne <a href=\"https:\/\/research.reading.ac.uk\/italian-woolf\/conference\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>Reading Woolf in Europe<\/u><\/em><\/a>. Gratuit sur inscription<\/p>\n\n\n\n<p>Ven 25-Dim 27 Juin 2021 : repr\u00e9sentation en ligne de <a href=\"https:\/\/everymancork.com\/events\/to-the-lighthouse-by-virginia-woolf\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><u>To the Lighthouse<\/u><\/em><\/a> adapt\u00e9 par Marinca Carr et mis en sc\u00e8ne par Annabelle Comyn. R\u00e9servation en ligne<\/p>\n\n\n\n<p>Sam 11 Sept 2021 (16h-18h): <strong>AG de la SEW<\/strong>. Institut du monde anglophone. En pr\u00e9sentiel<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cher\u2027e\u2027s, Le printemps touche \u00e0 sa fin et nous vous livrons notre moisson de nouvelles woolfiennes. En ligne ou sur papier, entre culture pop et recherches acad\u00e9miques, la vie et l\u2019\u0153uvre de Virginia Woolf continuent d&rsquo;inspirer et de provoquer \u00e0 penser. Elles semblent m\u00eame incontournables pour vivre et r\u00e9fl\u00e9chir notre monde contemporain. Ce mois-ci un [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3748,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48],"tags":[],"class_list":["post-3429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsletter"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3429"}],"version-history":[{"count":12,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3429\/revisions"}],"predecessor-version":[{"id":4161,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3429\/revisions\/4161"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/media\/3748"}],"wp:attachment":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}