{"id":3528,"date":"2021-12-08T23:38:13","date_gmt":"2021-12-08T21:38:13","guid":{"rendered":"http:\/\/etudes-woolfiennes.org\/?p=3528"},"modified":"2024-04-20T18:04:53","modified_gmt":"2024-04-20T16:04:53","slug":"portmanteau-woolf-to-be-sent-by-january-2022","status":"publish","type":"post","link":"https:\/\/etudes-woolfiennes.org\/?p=3528","title":{"rendered":"Virginia Woolf Miscellany n\u00b099, to be sent by January 2022"},"content":{"rendered":"<p style=\"text-align: center;\">Veuillez trouver ci-dessous l&rsquo;appel \u00e0 contributions pour le num\u00e9ro 99 de la revue <em>Virginia Woolf Miscellany.<\/em><\/p>\n<h3 style=\"text-align: center;\"><span class=\"\">CFP:<em class=\"\">\u00a0Virginia Woolf Miscellany<\/em><\/span><\/h3>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\"><strong>I<\/strong><strong class=\"\">ssue #99 Spring 2022<\/strong><\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">Submissions Due:<strong class=\"\">\u00a0January 31st 2022<\/strong><\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">Special Topic:\u00a0<strong class=\"\">Portmanteau Woolf<\/strong><\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">Guest Editors: Val\u00e9rie Favre and Shilo McGiff<\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">A call for all readers, common and\u00a0<em class=\"\">un<\/em>common:<\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">\u201cVirginia Woolf is everywhere\u201d (Brenda Silver,\u00a0<em class=\"\">Virginia Woolf Icon,\u00a0<\/em>xv) \u2026 including where we would not expect her to be. This issue of the\u00a0<em class=\"\">Virginia Woolf Miscellany<\/em>\u00a0invites readers to explore intuitive echoes, unlikely pairings, interdisciplinary encounters, strange mash-ups, and generative (mis)alliances in the Woolfian world. Taking Brenda Silver\u2019s germinal\u00a0<em class=\"\">Virginia Woolf Icon\u00a0<\/em>as a point of departure and celebrating the recent arrival of\u00a0<em class=\"\">Recycling Woolf in Contemporary Art and Literature\u00a0<\/em>(Monica Latham, Caroline Marie, Anne-Laure Rigeade \u2013 eds), we seek readings that not only revel in Woolf\u2019s polysemous image as icon and celebrity, but also, that lift away from the custody battles of Silver\u2019s purview to include recreations, reassemblages, and remixes occasioned by individual reception and experience. What idiosyncratic, contingent, and surprise meetings with Woolf and her work arise from your everyday reading, thinking, living? How, for example, might a Portmanteau Woolf, propelled by \u201cthe dynamism of making connections\u00a0\u00bb (Sara Ahmed,<em class=\"\">\u00a0Living a Feminist Life,<\/em>\u00a03), encourage the making of a \u201ckilljoy survival kit\u201d and reunite Woolf with those miscellaneous, and sometimes mismatched, \u201ccompanion texts\u201d (Ahmed, 17) that we carry with us and which may carry us?<\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">Possible topics include but are not limited to film and theatrical adaptations, novelistic retranscriptions, fine arts projects, children\u2019s books, comic strips, \u2019zines, blogs, graphic novels, auto\/biofiction, poems, Woolf in the Twittersphere, Sartorial Woolf, Woolfian recipes, Woolfian collectibles, site-specific Woolf, Instagrammable Woolf, Pop Art Woolf, and Woolfian Graffiti+<\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">Submissions may include criticism, personal essays, poems, artwork, and photographs, and should be no longer than 2,500 words. Shorter submissions are encouraged, as well. Please send inquiries or submissions to:\u00a0<\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">Val\u00e9rie Favre<br class=\"\" \/><a class=\"\" href=\"mailto:vrfavre@gmail.com\" target=\"_blank\" rel=\"noopener\"><u>vrfavre@gmail.com<\/u><\/a>\u00a0<\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">and<\/span><\/p>\n<p class=\"\" style=\"text-align: center;\"><span class=\"\">Shilo McGiff \u00a0<br class=\"\" \/><a class=\"\" href=\"mailto:srm10@cornell.edu\" target=\"_blank\" rel=\"noopener\"><u>srm10@cornell.edu<\/u><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Special Topic:\u00a0Portmanteau Woolf<br \/>\nGuest Editors: Val\u00e9rie Favre and Shilo McGiff<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-3528","post","type-post","status-publish","format-standard","hentry","category-cfp"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3528"}],"version-history":[{"count":3,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3528\/revisions"}],"predecessor-version":[{"id":4109,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3528\/revisions\/4109"}],"wp:attachment":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}