{"id":3797,"date":"2022-12-12T18:12:34","date_gmt":"2022-12-12T16:12:34","guid":{"rendered":"https:\/\/etudes-woolfiennes.org\/?p=3797"},"modified":"2024-04-23T10:25:51","modified_gmt":"2024-04-23T08:25:51","slug":"newsletter-n5","status":"publish","type":"post","link":"https:\/\/etudes-woolfiennes.org\/?p=3797","title":{"rendered":"Newsletter n\u00b05"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Che\u00b7res ami\u00b7es woolfien\u00b7nes,<\/em><\/p>\n\n\n\n

Quelques nouvelles avant que l\u2019ann\u00e9e ne se cl\u00f4ture. Comme \u00e0 l\u2019accoutum\u00e9e, il semble que Woolf soit in\u00e9puisable, toujours aussi pr\u00e9sente. Elle s\u2019affiche, se relit, se r\u00e9incarne, se d\u00e9multiplie.<\/em><\/p>\n\n\n\n

En ce moment sur la sc\u00e8ne du Garrick Theatre, elle est un ch\u0153ur entier qui entoure Orlando. Virginia Woolf se pluralise !<\/em><\/p>\n\n\n\n

\"\"<\/a>
\u24d2 Marc Brenner<\/figcaption><\/figure>\n\n\n\n

Nous vous retrouverons \u00e0 la nouvelle ann\u00e9e pour la suite des aventure woolfiennes.<\/em><\/p>\n\n\n\n

Belles f\u00eates \u00e0 toustes<\/em><\/p>\n\n\n\n

\n\n\n\n

N\u2019h\u00e9sitez pas \u00e0 relayer et partager cette publication et, surtout, n\u2019oubliez pas de nous faire part de vos d\u00e9couvertes, parutions ou activit\u00e9s !<\/em><\/p>\n\n\n\n

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Bloomsbury Woolf<\/h4>\n\n\n\n
<\/div>\n\n\n\n

L\u2019esprit de Bloomsbury s\u2019expose au Palazzo Altemps de Rome : Virginia Woolf e Bloomsbury. Inventing life<\/u><\/em><\/a> (curation Nadia Fusini) jusqu\u2019au 12 f\u00e9vrier 2023.<\/p>\n\n\n\n

Nino Stratchey publie Young Bloomsbury. The Generation That Redefined Love, Freedom, and Self-Expression in 1920s England<\/u><\/em><\/a> aux \u00e9ditions Simon & Schuster.<\/p>\n\n\n\n

Pour Literary Hub<\/u><\/em><\/a>, Lyndall Gordon revient sur l\u2019amiti\u00e9 litt\u00e9raire qui liait Woolf et T.S. Eliot (extrait de  The Hyacinth Girl: T.S. Eliot\u2019s Hidden Muse<\/em>).<\/p>\n\n\n\n

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Adaptations<\/h4>\n\n\n\n
<\/div>\n\n\n\n

Des Ronds dans l\u2019O font para\u00eetre une biofiction dessin\u00e9e<\/u><\/a> sign\u00e9e Liuba Gabriele.<\/p>\n\n\n\n

Michael Grangage s\u2019entretient avec Claire Armitstead du Guardian<\/em> \u00e0 propos de son adaptation d\u2019Orlando<\/u><\/em><\/a> pour la sc\u00e8ne.<\/p>\n\n\n\n

Le philosophe Paul B. Preciado pr\u00e9pare une adaptation documentaire d\u2019Orlando : Queer Orlando : une nouvelle histoire de la sexualit\u00e9<\/em>, diffus\u00e9 d\u00e9but 2023 sur ARTE.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Autour de Woolf<\/h4>\n\n\n\n
<\/div>\n\n\n\n

Vient de para\u00eetre Portmanteau Woolf<\/u><\/em><\/a> sous la direction de Shilo McGiff et Val\u00e9rie Favre, num\u00e9ro 99 du Virginia Woolf Miscellany<\/em>.<\/p>\n\n\n\n

La New York Public Library expose Woolf : Virginia Woolf: A Modern Mind<\/u><\/em><\/a> est visible jusqu\u2019au 5 mars 2023.<\/p>\n\n\n\n

La statue de Woolf sign\u00e9e Laury Dizengremel a \u00e9t\u00e9 install\u00e9e \u00e0 Richmond : retour sur un \u00e9v\u00e8nement par Emily Temple<\/u><\/a>.<\/p>\n\n\n\n

Virginia Woolf Notecards<\/u><\/a> : collection de cartes-citations qui reprennent des extraits de ses ouvrages et certains motifs de ses robes !<\/p>\n\n\n\n

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Cotisations<\/h3>\n\n\n\n

Pour rappel, la Soci\u00e9t\u00e9 des \u00c9tudes Woolfiennes ne peut fonctionner sans votre aide : manifestations et publications n\u2019existent que par vos contributions (25\u20ac\/15\u20ac). Contactez la tr\u00e9sori\u00e8re pour en savoir davantage<\/u><\/a> ou renouveler votre cotisation.<\/p>\n","protected":false},"excerpt":{"rendered":"

Che\u00b7res ami\u00b7es woolfien\u00b7nes, Quelques nouvelles avant que l\u2019ann\u00e9e ne se cl\u00f4ture. Comme \u00e0 l\u2019accoutum\u00e9e, il semble que Woolf soit in\u00e9puisable, toujours aussi pr\u00e9sente. Elle s\u2019affiche, se relit, se r\u00e9incarne, se d\u00e9multiplie. En ce moment sur la sc\u00e8ne du Garrick Theatre, elle est un ch\u0153ur entier qui entoure Orlando. Virginia Woolf se pluralise ! Nous vous retrouverons […]<\/p>\n","protected":false},"author":2,"featured_media":3804,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48],"tags":[],"class_list":["post-3797","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsletter"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3797"}],"version-history":[{"count":8,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3797\/revisions"}],"predecessor-version":[{"id":4165,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/3797\/revisions\/4165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/media\/3804"}],"wp:attachment":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}