{"id":608,"date":"2010-05-26T08:07:48","date_gmt":"2010-05-26T06:07:48","guid":{"rendered":"http:\/\/etudes-woolfiennes.org\/?p=608"},"modified":"2017-12-26T14:42:35","modified_gmt":"2017-12-26T12:42:35","slug":"imaginaire-woolfien","status":"publish","type":"post","link":"https:\/\/etudes-woolfiennes.org\/?p=608","title":{"rendered":"Anne-Marie Smith-Di Biasio \u2013 Un retour aux origines sensorielles et obs\u00e9dantes de l\u2019imaginaire Woolfien"},"content":{"rendered":"<div class=\"post-hero-image clear-fix\"><\/div>\n<div class=\"entry-content\">\n<h3 style=\"text-align: center;\"><strong>Anne-Marie SMITH-DI BIASIO, <em>Virginia Woolf, la hantise de l\u2019\u00e9criture<\/em><\/strong><\/h3>\n<figure id=\"attachment_2174\" aria-describedby=\"caption-attachment-2174\" style=\"width: 218px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2010\/05\/Woolf-la-hantise-de-le\u0301criture.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2174\" src=\"http:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2010\/05\/Woolf-la-hantise-de-le\u0301criture.jpg\" alt=\"\" width=\"218\" height=\"300\" srcset=\"https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2010\/05\/Woolf-la-hantise-de-le\u0301criture.jpg 582w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2010\/05\/Woolf-la-hantise-de-le\u0301criture-218x300.jpg 218w, https:\/\/etudes-woolfiennes.org\/wp-content\/uploads\/2010\/05\/Woolf-la-hantise-de-le\u0301criture-560x770.jpg 560w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/a><figcaption id=\"caption-attachment-2174\" class=\"wp-caption-text\">Paris : Indigo &amp; C\u00f4t\u00e9-femmes, mai 2010, 194p. ISBN 2-35260-067-7, 21 euros<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>La hantise de l\u2019\u00e9criture<\/em> propose un retour aux origines sensorielles et obs\u00e9dantes de l\u2019imaginaire Woolfien, un retour aux gestes, visages, voix rec\u00e9l\u00e9s dans l\u2019\u00e9criture, \u00e0 sa\u00a0m\u00e9moire de l\u2019infantile. Ainsi s\u2019agit-il dans cette attention port\u00e9e sur les traits visibles et invisibles de l\u2019\u00e9crit de lire et de traduire des trac\u00e9s de la parole, du regard, du corps \u2013 d\u2019entendre et de faire entendre rythme, mouvement, sonorit\u00e9, image.<\/p>\n<p>Compte-rendu de lecture (Anne-Laure Rigeade): <a href=\"http:\/\/www.fabula.org\/revue\/document6376.php\" target=\"_blank\" rel=\"noopener\"><u>\u00ab\u00a0Lire, traduire Virginia Woolf\u00a0\u00bb<\/u><\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0Anne\u2011Marie Smith signe avec &lsquo;Virginia Woolf, la hantise de l\u2019\u00e9criture&rsquo; un essai singulier, habit\u00e9 par l\u2019esprit de l\u2019\u0153uvre, jamais ext\u00e9rieur \u00e0 elle. Ici lire, traduire se confondent en une m\u00eame \u00ab activit\u00e9 d\u2019\u00e9coute \u00bb, en \u00ab une activit\u00e9 fantasmatique de reconstruction \u00bb (p. 23). Aussi cet essai porte-t-il d\u2019abord la trace d\u2019une exp\u00e9rience existentielle, qui exige de son lecteur la m\u00eame intensit\u00e9 de pr\u00e9sence.\u00a0\u00bb (Anne-Laure Rigeade)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-608","post","type-post","status-publish","format-standard","hentry","category-publications"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=608"}],"version-history":[{"count":22,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/608\/revisions"}],"predecessor-version":[{"id":2272,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=\/wp\/v2\/posts\/608\/revisions\/2272"}],"wp:attachment":[{"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etudes-woolfiennes.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}