The topic, Virginia Woolf and Her Female Contemporaries, seeks to contextualize Virginia Woolf’s writing alongside the work of her contemporaries. Submissions should relate to Virginia Woolf and Her Female Contemporaries and may emphasize either the development of enclaves or specific female subcultures or individual writers who were contemporaneous with Virginia Woolf.
The aim of the seminar will be to raise the following question: can Woolf be regarded as a humble writer?
Claire Davison, Catherine Lanone et Caroline Pollentier (Université Paris 3) proposeront une réflexion sur les liens entre l’écriture de V. Woolf et la pratique du monologue.
Grand papier editions are largely unknown outside of France because of their scarcity. Now for the first time in the UK this collection of works by Virginia Woolf, Katherine Mansfield, and Rosamond Lehmann represents a unique opportunity to see these books en masse.
“Virginia Woolf: Writing the World” aims to address such themes as the creation of worlds through literary writing, Woolf’s reception as a world writer, world wars and the centenary of the First World War, and myriad other topics.
Kate McLoughlin (Birkbeck) : « Woolf’s Crotchets: Textual Cryogenics in To the Lighthouse and the First World War »
Caroline Pollentier (Sorbonne Nouvelle) : « Virginia Woolf’s Utopian Pacifism »
Séminaire : Traumatisme, handicap et créativité – Organisé par Simone Korff Sausse et Régine Waintrater.
The topic of the conference, « Virginia Woolf and the Common(wealth) Reader », encompasses Woolf’s interactions with/influence on Commonwealth writers, the issues of « common » wealth, discussions of wealth and gender, colonialism and gender, imperialism, politics, and a host of other related topics.
Interdisciplinary / Multidisciplinary Woolf is inspired by Virginia Woolf’s own efforts to cross, undermine, and sometimes reassert disciplinary and other boundaries in her body of work.
Présentation croisée des livres d’Anne-Marie Smith-Di Biasio : « Virginia Woolf, la hantise de l’écriture » & Maurice Corcos : « De René Magritte à Francis Bacon : psychanalyse du regard »
Anne-Marie Smith-Di Biasio in conversation with Geneviève Brisac and Agnès Desarthe for an evening dedicated to the life and work of Virginia Woolf.
Soirée-débat – La présentation de son ouvrage par Anne-Marie Smith sera suivie d’une table-ronde avec Anne-Laure Rigeade (Paris 8), Adèle Cassigneul (Toulouse 2) et Bérangère Riou (Paris 3).
‘The Lamp of Meaning’: les lumières de Cambridge de Leslie Stephen à Virginia Woolf – première séance de l’Atelier Woolf
Seventy years after Virginia Woolf’s death, Montevideana VII calls for papers presenting innovative readings, translations, and exchanges in connection with the multiple dialogues which her work continues to establish, either directly or indirectly, with South America.
Le 26 mars 2010 de 10h40 à 12h (salle G29) à l’American University – 147 rue de Grenelle, 75007 Paris.
« Il y a un inconscient de l’écriture car l’artiste se confie à sa création; son adresse intime, radicale, imprononçable est là. Comme l’œuvre reçoit l’empreinte de sa vie, s’y inscrivent en filigrane – sonore, hallucinatoire – ses hantises et le lieu de leur trouble. »
