CFP pour le colloque international « Woolf recyclée / Recycling Woolf » – propositions à envoyer avant le 30 novembre 2018.
Though Woolf’s atheism and criticism of religion are well-known, this volume seeks an interdisciplinary approach to the spiritual quality of her work.
This SAES workshop aims to continue the ongoing rethinking of modernism’s forms, conditions, and “posture[s]” of revolution. By avoiding the essentialisation of rupture and envisioning cultural change, in the wake of Fredric Jameson, “beyond the opposition between synchrony and diachrony,” we propose to pluralise our approaches to revolutionary modernisms, and thus to understand such performances of modernity by building on the radically multiple semantics of the notion per se, such as theorised by Reinhart Koselleck. Koselleck’s insight into revolution as a globally extendable marker of modernity is particularly significant for this purpose: “The word ‘revolution’ possesses such revolutionary power that it is constantly extending itself to include every last element on our globe.”
We propose to examine Virginia Woolf’s relationship to history by reflecting on her reading and writing of history, be that the history of her own time, of the past, women’s history or literary history.
Marking 100 years since the end of the First World War and 80 years since the publication of Three Guineas, the 28th Annual International Conference on Virginia Woolf invites papers addressing the dual theme of Europe and Peace.
The Katherine Mansfield Society is pleased to announce its Call for Papers for volume 10 of Katherine Mansfield Studies, as well as its annual essay prize.
This issue commemorates the advent of the Great War and its representation by Virginia Woolf and her friends and colleagues in Bloomsbury and beyond.
The topic, Virginia Woolf and Her Female Contemporaries, seeks to contextualize Virginia Woolf’s writing alongside the work of her contemporaries. Submissions should relate to Virginia Woolf and Her Female Contemporaries and may emphasize either the development of enclaves or specific female subcultures or individual writers who were contemporaneous with Virginia Woolf.
The aim of this two-day conference is to foster discussion on communities in the modernist period. […] More than a decade after Jessica Berman’s landmark work on « the politics of community » in modernist fiction, we seek to explore the various ways in which communities were configured across genres and artistic media, but also to acknowledge the grounds of their historical and cultural specificity.
Exploring the birth and perpetration of two critical meta-narratives and their interdependence: the myth of “high modernism” and the myth of “Victorianism”.
« If there is no clear repudiation of history and heritage on the modernists’ part, if “rupture” was a useful fiction, if the challenge to traditional aesthetics and ideology was already a Victorian preoccupation, then we definitely need to remap modernism and Victorianism simultaneously. »
For a special issue on « Woolf and Materiality » (Spring 2014). All submissions welcome.
Call of papers discussing animals in Woolf both fictional and actual, or articles that align Woolf with animal elements in the work and lives of others.
The topic of the conference, « Virginia Woolf and the Common(wealth) Reader », encompasses Woolf’s interactions with/influence on Commonwealth writers, the issues of « common » wealth, discussions of wealth and gender, colonialism and gender, imperialism, politics, and a host of other related topics.
What can the study of Hegel contribute to our understanding of modernism now?