‘[Night and Day] is a book that gazes backward in time with skepticism and a virago’s impulse to shred into … Plus

« Entre 1907 et 1909, Virginia Woolf, qui n’est pas encore l’auteure mondialement connue, tient un carnet de lectures resté jusqu’à … Plus

À paraître aux éditions Le bruit du temps, un hommage à trois écrivaines du XXe siècle : Virginia Woolf, Sylvia Plath et Marina Tsvetaïeva.

Published in 2013, this study of revision and redrafting focuses on Modernism and modernist writers, including Woolf.

Vient de paraître : Virginia Woolf, Quel soulagement : se dire “j’ai terminé”, traduit et préfacé par Micha Venaille, Paris … Plus

Barbara Lounsberry’s conclusion to her three-volume study of Woolf’s diaries and the diaries she read is now available. This final volume follows Woolf’s 13 final diaries dating from 1929 to 1941.

« When something called theory first broke onto the seemingly stagnant scene of literary studies, it offered bright new ways and … Plus

Drawing on ‘literary theory, intermedial studies, periodical studies and philosophy’, C. Reynier offers a book-length study of the six commissioned articles Woolf published in Good Housekeeping magazine.

Prix Présence de la langue française 2015, parution de l’ouvrage d’A. Cassigneul sur l’écriture « photo-cinématographique » de Woolf.

‘[A]n affecting homage to, and a high-spirited literary dissection of, Woolf’s book [The Waves] …’ (Catherine Taylor, Financial Times)

Les articles faisant suite au colloque SEW « Becoming Photographic », organisé par Adèle Cassigneul en collaboration avec Christine Reynier, sont disponibles dans le nouveau numéro Ebc.

The essays in the present volume seek to explore new perspectives on Woolf’s work: thinking Woolf through other languages (French, Italian, Spanish) and other media (music, early photography, cartoon-strip) they address questions of translational ethics, the intra-scriptural, the trans-medial, the transference, transmission, transfixation and transgression.

Virginia Woolf: Ambivalent Activist demonstrates the degree to which Woolf was sensitive to the internal politics and conflicts of the bodies she was associated with and the ways in which she interrogated her ambivalent attitudes towards her activism throughout her literary career.

Tandis que la pensée philosophique vise à une compréhension lumineuse du sensible, il s’agit ici d’en traquer les obscurités, qui deviennent le lieu périlleux d’une écriture vive.

Through close readings of Woolf ‘s journaling style and an examination of the diaries she read, Lounsberry tracks Woolf ‘s development as a writer and unearths new connections between her professional writing, personal writing, and the diaries she was reading at the time (1918-1929).