This book aims at a unique synthetic appraisal and revaluation of Virginia Woolf’s short stories. Confronting the author’s essays on the short story with her practice, it shows how Woolf rejuvenates the genre of the short story and redefines it as a new form of conversation: a paradoxical and dynamic space, a space of encounter between the self and the other, a locus of emotion and a site of resistance against all forms of political and literary totality.
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