Institut du Monde Anglophone – 31 mars 2016
« Quel roman! Photography and Modernism’s Novel Genealogies, Virginia Woolf to Roland Barthes »
Société d'Etudes Woolfiennes
French Society for Woolf Studies
Société d'Etudes Woolfiennes
French Society for Woolf Studies
Université Paul-Valéry Montpellier 3 – 14 décembre 2015
Le 14 décembre 2015, à l’Université Paul-Valéry Montpellier 3, Mme Lingxiang Ke a soutenu sa thèse intitulée « Virginia Woolf’s Letters. Writing in the Making » devant un jury composé de: Rossana Bonadei, Professeur, Université de Bergame, Italie, co-directrice de co-tutelle Catherine Lanone, Professeur, Université Sorbonne Nouvelle-Paris 3, rapporteur Caroline Patey, Professeur, Université de Milan, rapporteur Christine Reynier, Professeur, Université Paul-Valéry Montpellier 3, co-directrice de co-tutelle
Special topic: 1930s Woolf
Le dernier numéro du Virginia Woolf Miscellany (Spring/Summer 2015) est consultable en ligne.
Université de Toulouse – 30 juin & 1er juillet 2016
Taking its cue from the preceding SEW seminars and conferences – “Outlanding Woolf” in 2013, “Humble Woolf” in 2014 and “Trans-Woolf” in 2015 – this two-days symposium will explore multiple aspects of Virginia Woolf’s relation to photography.
Link to the Virginia Woolf Miscellany website
The Virginia Woolf Miscellany was first published in Fall 1973 at Sonoma State College (now Sonoma State University). The publication has been hosted by Southern Connecticut State University since Spring 2003. The managing editor of the publication is Vara Neverow.…
Études Britanniques Contemporaines n°48 – sous la direction de Catherine Bernard, Claire Davison et Anne-Marie Smith-Di Biasio
"Crossing into Otherness" et "Outlanding Woolf" - disponibles en ligne.
Monica Latham – Rewriting Mrs Dalloway
After meticulously tracing the genesis of Woolf’s most iconic novel so as to examine the production of Woolf’s idiosyncratic Dalloway-esque signature, A Poetics of Postmodernism and Neomodernism sets out to explore its reproduction by a variety of postmodernist and neomodernist Anglo-American writers who are either openly indebted to Woolf’s novel or covertly influenced by it.